past exhibitions

solo shows:

beached in the whale belly

Red Gallery (Gallery 4), Fitzroy North, Naarm

2 – 13 September, 2026

www.redgallery.com

“[…] the sea dashes even the mightiest whales against the rocks, and leaves them there side by side with the split wrecks of ships.” (Moby Dick, pg. 240-1)

The idea behind this new collection of diagram-paintings by olive bly arrived when, at the beginning of this year, a small shipwreck washed up on the beach by her family home in the north of Aotearoa. Drawing upon a surprising array of reference points, the paintings splice together real and emerging crises in order to emphasise the vitality of the ocean. bly pictures a reality in which human civilisation is beached in the belly of a beached whale, and asks what a painting’s proper meaning is under these conditions.

many wiggly homunculi

Uindō95 (Te Whanganui a Tara, Aotearoa)

August 1-14, 2025

https://www.instagram.com/p/DMbV-X8T5R1/

https://www.instagram.com/p/DOZ2dVYjzNA/?img_index=1


eighteen A2 ink & charcoal drawings

an excerpt from the accompanying poem:

abstract(ing), diagrammatic figures on the page:
in relationship with one another
(through erotic modes (& subsequent community(ies)))

the homunculi:
many manifold projectors
(simultaneous sites (of in- & out-put))

the inscription medium:
that wild circle called language
(called language (called language et cetera))

the persistent legend of connexion:
demands a witness to the claims it promulgates
(& finds it{self} dependent on ink (& paper & skin)

don’t be afraid, the clown’s afraid too

MEANWHILE Gallery (Te Whanganui a Tara, Aotearoa)

March 21-30, 2025

https://www.meanwhilegallery.com/#/archive/dont-be-afraid-the-clowns-afraid-too

Where does the clown get its nose from? This collection of paintings by outer-disciplinary artist(ing) o(l[i]ve) (bly(th)) bends the body over itself. Gestures of extension, penetration, curiosity, and gazing encourage a sense of serious-silliness. Block colours, round shapes, and wiggly lines combine with textural experiments of layered acrylic paint, charcoal, and newsprint on canvas.

The gallery space becomes a chrysalis-womb, where interpolation is the medium. Supporting text(s) scatter the space, while live poetry readings and music performances throughout the week emphasise the outer-connected activities which drive creation.

Immersed in absurdity, transsexuality, experimentation, and improvisation, ‘don’t be afraid’ is a hive of play, to be experienced in person.

group shows, competitions, & open calls:

fortyfivedownstairs Emerging Artist Award 2026

Finalist

‘pucker(ing) map((p)ing)’

secondhand thread on secondhand cloth, framed in secondhand stretcher bars

fortyfivedownstairs (45 Flinders Lane, Naarm, so-called “Australia”)

July 14-24

Fifty Squared Art Prize

Brunswick Street Gallery (Fitzroy, Naarm, so-called “Australia”)

June 20 – July 3

https://brunswickstreetgallery.com.au/pages/fifty-squared-art-prize-2026

Queer Heirlooms

Unassigned Gallery x Queer Love Collective (Brunswick, Naarm, so-called “Australia”)

June 6-28

https://www.unassignedgallery.com.au

Small Mid-Year Group Exhibition

Red Gallery (Fitzroy North, Naarm, so-called “Australia”)

June 4-13

https://www.redgallery.com.au/calendar/smallgroupshow

WHIM

Untether Gallery (Geelong, so-called “Australia”)

May 21 – June 6, 2026

https://www.untethergallery.com.au

FLESH

Sol Gallery (Fitzroy, Naarm, so-called “Australia”)

May 19-31, 2026

https://solgallery.com.au/events/flesh

We know what art is: it’s paintings of horses!

MEANWHILE Gallery (Te Whanganui a Tara, Aotearoa)

April 4-19, 2025